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The Matiushin Case

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1 of 1 copy available
1 of 1 copy available
The Matiushin Case is one of the darkest and most powerful works of fiction to appear in Russian in the last twenty years. Deriving, like Captain of the Steppe (2013, And Other Stories), from Oleg Pavlov's own traumatic experience as a conscript in the last years of the Soviet Union, it follows the ordeals of Matiushin, a sensitive, disoriented young man, damaged by brutality first within his family and then in the army. Indebted to the 'labour camp writing' traditions pioneered by Solzhenitsyn and Shalamov, the novel is much more than an exposé of society's ills. Its greatest achievement lies in the tension between the horrific realities of conscript life and the uniquely dreamlike, timeless style through which Pavlov portrays them. Matiushin's 'crime and punishment' emerge from this tension with compelling inevitability; the victim turns killer. The hell that Pavlov describes is real and societal, but above all psychological, and, as such, no less universal than that described by Dante or Dostoevsky.
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    • Publisher's Weekly

      July 14, 2014
      Russian Booker Prize winner Pavlov (Captain of the Steppe) plunges readers into the grim realities of Soviet military life in the early 1980s. Vasilii Grigorievich Matiushin is the sensitive, half-deaf son of an abusive army officer who is called to fight in the Soviet army shortly after the death of his brother in "a foreign war." Despised by his father for his weakness, Matiushin joins other alcohol-soaked recruits to serve in various Soviet backwaters, with a first assignment in Tashkent and then a disastrous interlude in Kazakhstan. Soldiers like Matiushin are beaten constantly and beat each other just as often, subjected to casual cruelty in a military structure whose golden rule is to "live so that no one notices you're alive." At each stage in this hell, Matiushin discovers men drowning their fears in vodka and hash and indulging in constant violence towards friends and rivals alike. Whether he is recovering from a forced march in a military hospital or guarding inmates at a prison, Matiushin recognizes himself in a different kind of prison, one from which he wants desperately to escape. Bromfield, well-known for his translations of contemporary Russian literature, ably renders Pavlov's prose with extremes of lyricism and banality. While short on plot and populated with somewhat one-dimensional characters, Pavlov pulls off a harrowing tale about institutional cruelty and the perversions of character that it produces.

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  • English

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