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I Married a Communist

Audiobook
1 of 1 copy available
1 of 1 copy available

Private needs and public acts are inextricably joined... with disastrous consequences. Iron Rinn (born Ira Ringold): Newark roughneck, radio actor, idealistic Communist, and educated ditch digger turned popular performer. A six-foot, six-inch Abe Lincoln look-alike, he emerges from serving in World War II passionately committed to making the world a better place and instead winds up blacklisted, unemployable, and blighted by a brutal personal secret from which he is perpetually in flight. His life is in ruins. On his way to political catastrophe he marries the nation's reigning radio actress and beloved silent film star, Even Frame (born Chava Fromkin). Their marriage evolves from a glamorous, romantic idyll to a dispiriting soap opera of tears and treachery. Eve's dramatic revelation to gossip columnist Briden Grant of her husband's life of "espionage" for the Soviet Union soon spirals their relationship from private drama into national scandal. I Married a Communist is an American tragedy as only Philip Roth can conceive-fierce and funny, eloquently rendered, and deadly accurate.

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    • Publisher's Weekly

      September 28, 1998
      Disconcerting echoes of Roth's relationship with Claire Bloom, as revealed in her memoir, Leaving the Doll's House, haunt Roth's angry but oddly inert 23rd novel. As in American Pastoral, Roth again deals with the Newark of his youth, and with the sons of Jewish immigrants to whom America has given opportunity and even riches--and how they are swept off course by the forces of history. Roth's old alter ego, Nathan Zuckerman, narrates the story of Ira Ringold, aka Iron Rinn, a supremely idealistic political radical and celebrated radio star of the 1950s who is blacklisted and brought to ruin when his wife, Eva Frame (a self-hating Jewish actress born Chava Fromkin), writes an expose called I Married A Communist. The impetus for Eva's treacherous act is Ira's insistence that she evict her 24-year-old daughter from their house; the resemblance to Bloom's revelations of Roth's similar demand is too close to miss, and Roth's shrill belaboring of the issue seems a thinly disguised vendetta. Even high-pitched scenes of family conflict don't bring the novel to life. One problem is that the flat flashback narration shared between the 64-year-old Nathan and Ira's 90-year-old brother, Murray, is stultifyingly dull. Some fine Roth touches do appear: his evocation of the Depression years through the McCarthy era has clarity and vigor. But Ira's aggressively boorish behavior as he struggles with his conscience over having abandoned his Marxist ideals to assume a bourgeois lifestyle is never credible, and his turgid ideological rants against the American government are jackhammers of repetitious invective. In addition, the depiction of an adolescent Nathan as a precocious writer and social philosopher and the saintly Murray's infallible memory of long conversations with Ira--even between Ira and Eva in bed--challenge the reader's credulity. For those who lived through the years Roth evokes, this novel will have some resonance. For others, its belligerent tone and lack of dramatic urgency will be a turn-off. 150,000 first printing; $150,000 ad/promo.

    • AudioFile Magazine
      Confidences shared by a contemporary hermit and his aging English teacher paint the complex picture of the teacher's brother, a radio star destroyed in the Red Scare. Ron Silver's idiosyncratic New York delivery is perfect for the characters. This is a fully developed performance calculated to seem wonderfully casual and spontaneous. Technically, the recording is less polished than most: The tape preserves every intake of breath and plenty of "mouth noise." And it's too often obvious when a new recording session begins--pitch and volume change so drastically. All of this may have been calculated to match Silver's style, but it comes off as technical sloppiness. Nevertheless, this is a good performance of a book that seems to have been written to be read aloud. S.P. (c)AudioFile, Portland, Maine

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